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  • ALSACE-LORRAINE  v.1.1ALSACE-LORRAINE is an experiment. My idea was to combine aspects of a vertical French script and a German fraktur. For the most part, the top is the German and the bottom is the French. A font "mash-up" before that word was coined. Named for the ...
  • BARBECUE  v.1.0BARBECUE was inspired by the font BARB, illustrated in the great Dan X. Solo books from Dover. (Its in "100 Ornamental Alphabets" and in the "theme, topical" section of the "Solotype Catalog.") Other than that, I know nothing about Barb. To me, it ...
  • BLOCKOGRAMS  v.1.1BLOCKOGRAMS is a set of five fonts for easily creating unique 3-letter cube-shaped monograms. The animation above shows the combinations of white and black faces contained in the set of ...
  • CANTABILE  v.2.5CANTABILE began as a "modern," Bodoni, or Didot style. I removed serifs and added balls along the lines of a sort of upright, swash italic. I was thinking Postmodern, but its more fun than that, vaguely musical. Hence the name, which has four ...
  • CARMEN CAPS  v.1.0CARMEN CAPS is my digital interpretation of an Art Nouveau font of the same name, as illustrated in the Dan X. Solo books. The swirly backgrounds have great detail, use big as drop caps! Ive also created "inside" and "outside" fonts that can be ...
  • CATTLE ANNIE  v.1.0CATTLE ANNIE is my unauthorized digital interpretation of the analog font "Les Catalanes." According to ABZ: More alphabets and other signs by Rothenstein and Gooding, it was designed n 1952 by Enric Crous-Vidal (1908-1987) but was never produced.
  • COLLEGIATE MONOGRAMS  v.1.0The fourth set of my popular monograms fonts, this one lets you make 2 letter monograms in the angular, intersecting "college team" style. The set of four fonts includes all solid, all outlines, and two mixtures, as seen in the third and fourth ...
  • DENNEY  v.1.0DENNEY ONE and DENNEY TWO are based on the handlettering found on a number of greeting cards produced by the Barker Greeting Card Co., Cincinnati, Ohio, circa 1969-1974. I had guessed these were the work of Paul Coker, but I have learned this style ...
  • FOAM Font  v.1.0The FOAM fonts began as variations of my Oblique Text fonts. I started over, rounding and reducing the number of serifs. Then I expanded it to a set of six, which looks great italicized too. To name the font, I had a little contest at Sage College ...
  • GOYA  v.2.0The GOYA fonts (including light, medium, heavy, ultra, and inline)were inspired by the logo of the ...
  • HONEYMOON  v.1.0HONEYMOON was inspired by the classic logo of the Holiday Inn hotel chain. Uniform weight, almost completely linking. Italicized it becomes a vertical script (below). Includes upper and lowercase, numbers, punctuation, and international ...
  • HUMDINGER  v.1.0HUMDINGER was inspired by the logo of a venerable old childrens magazine, read only by adults when desperately waiting in doctors offices. I love its feeling of kid-friendly Magic Marker lettering, complete with blips at the ends of each stroke that ...
  • KING HAROLD  v.1.0KING HAROLD was inspired by the embroidered lettering on the famous Bayeux Tapestry. The Tapestry was made c.1073-83 and records King Harolds adventures and loss at the Battle of Hastings to William the Conqueror, with a special appearance by ...
  • KOCH RIVOLI  v.1.0KOCH RIVOLI is my digital version of Rudolf Kochs original. Although now known as Rivoli, in other references it is called simply "Zierbuchstaben" (decorative book initials), intended as a companion font to Koch Antiqua, which is also known as ...
  • LE FILM  v.1.0LE FILM is my digital interpretation of the classic analog Art Deco font of the same name. Le Film (variously known as Film and Initiales Film) was designed by Marcel Jacno and released in 1927 by Deberny & Peignot of Paris. The characters are ...
  • Lohner RADIO  v.1.0RADIO was inspired by the old logo of NPR, National Public Radio. Obviously, the line pattern suggests broadcasting. The letters are square and of a uniform width, great for short headings, drop caps, and the like. Includes caps, numbers, ...
  • MYSTIC PROPHET  v.1.0MYSTIC PROPHET is my third font inspired by ...
  • OBLIQUE TEXT  v.1.0The three OBLIQUE TEXT fonts were inspired in part by the font OBLIQ, designed by Ellipsis, 1984, and issued by Letraset.I have taken some liberties with the letterforms, regularizing them somewhat and sharpening corners. My font friend Janet Wilson ...
  • OKLAHOMA!  v.1.0OKLAHOMA was inspired by the opening titles of the classic film of the same name (1955, directed by Fred Zinnemann, art direction by Joseph C. Wright.) A fancy wood type that sings, a nice compliment to the early 1900s setting of the story. If only ...
  • Plumbers Gothic  v.1.0Plumbers Gothic is my digital interpretation of the font formerly used by 3M to brand its products. According to their excellent corporate history, the "boxy, serifed...decidedly industrial" logo and font were designed by Gerald Stahl & Associates in ...
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  • MYSTIC PROPHET MYSTIC PROPHET is my third font inspired by
  • SOLEMNITY By SOLEMNITY is my digital interpretation of SOLEMNIS, an
  • OBLIQUE TEXT The three OBLIQUE TEXT fonts were inspired in part by the
  • LE FILM LE FILM is my digital interpretation of the classic analog
  • CARMEN CAPS CARMEN CAPS is my digital interpretation of an Art Nouveau
  • KING HAROLD KING HAROLD was inspired by the embroidered lettering on the
  • BLOCKOGRAMS BLOCKOGRAMS is a set of five fonts for easily creating
  • GOYA The GOYA fonts (including light, medium, heavy, ultra, and
  • VIRILE The VIRILE fonts are adapted from a pair of analog Art
  • COLLEGIATE MONOGRAMS The fourth set of my popular monograms fonts, this one lets
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